The duo has already sold a three-book series to Expanse publisher Orbit. "No," and "Not a chance," the authors responded when asked if prequel novels were a possibility.īut while The Expanse book series may be approaching its end, it's not the end of their collaboration or the Corey pen name. ![]() "There may be Expanse things, there just won't be the book version." "There's no plan to write any more novels," Franck said, while emphasizing that he doesn't know the broader plans for the ongoing TV series. The duo also took a number of questions from the live-stream's audience. The cover for 'Leviathan Falls,' the final novel in 'The Expanse' series. (The only exception to this proposed collection, according to the authors, will be a short story exclusive to the tabletop roleplaying game adaptation of The Expanse.) "This will be the last novel in the series, we are talking about putting together a collection of all of the novellas and short stories," Abraham said during the event. Martin, who describes the book as "interplanetary adventure the way it ought to be written." With art by Daniel Dociu and designed by Lauren Panepinto, the cover includes a pull quote from A Song of Ice and Fire author George R.R. Corey) revealed both the title for the final book in the series and the cover, which portrays flames or an explosion gushing from one side of an immense spacecraft. In a Wednesday live-streamed event over Crowdcast, The Expanse series authors Daniel Abraham and Ty Franck (who together write under the collaborative pen name James S.A. ![]() Mournful, mundane and unsentimental, Blue Now is a remarkable gathering of – and memorial for – queer voices, old and new.The ninth and final book of The Expanse series of science-fiction novels will be titled Leviathan Falls and will be released in 2021. It makes the room ache.īy extending his words to a younger generation and treating the work with a sense of reverence, this new presentation seems to address, and hope to counter, Jarman’s fear of his generation being forgotten. The sound doesn’t orchestrate the words so much as outline the feeling of them: a nauseating grinding churns under a long, gruelling list of the side effects of a drug Jarman’s been offered. But the rhythm is enrapturing, the words of fury and frankness lapping over the sound of waves and gravel crunching on Jarman’s beloved Dungeness beach.įisher Turner’s score, almost entirely new, is made of xylophonic shimmers, metallic scrapes and industrial thrummings, at times sounding like a roaring plane is about to take off. Some of the language is labyrinthine, focus can shift and scuttle away, and I sometimes have to remind myself to look at the blue rather than seek out the features of the faces underneath. In its stillness and quiet intensity, this is not always an easy experience. The light gently bounces off the faces of the performers and original composer Simon Fisher Turner, and Jarman’s words turn into a fluid, lyrical dance in the hands of BSL interpreter Ali Gordon. ![]() Where Jarman’s original was a rejection of the visual, Neil Bartlett’s new presentation gives us a little more to look at. ![]() These prominent queer voices from across the worlds of theatre and poetry sit in front of a large blue screen, perfectly still in the near-darkness, a heady, tragic lullaby on their lips. In four performances across four cities, the script is today given new, vivid life by Russell Tovey, Joelle Taylor, Travis Alabanza and Jay Bernard. Originally voiced by his long-term collaborators and featuring nothing but a wide expanse of International Klein Blue, the film is a searing collection of diary excerpts from a period when Aids took his friends, his sight – he began to be able to see only in blue – and when he knew it would soon take his life. Created in 1993, completed just a few months before his death, Blue was Derek Jarman’s final feature film. A mesmeric reckoning with the devastation of Aids, Blue Now is an ode to an extraordinary artist and his lost generation.
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